Idea Generation
During the idea generating process, we came up with the idea of creating a documentary about YouTube. I created two different mind maps and a mood board in order to bring my ideas to life



We are going to go to London for our production day as we will be able to gain access to the YouTube Space. After looking into how we will produce this, we decided we would separate the documentary into different sections. These sections include:
- The Title Sequence – Edited by me
- The History of YouTube – Edited by me
- Can YouTube be a Career? – Edited by Dan
- The Influence on Kids – Edited by me
- The Positives & Negatives of YouTube – Edited by Cheye
- The Trip to London and the Interviews – Edited by Cheye and Dan
- Conclusion – Our opinions – Edited by Dan
We have assigned each other different sections for the edit to make sure we have each produced a sufficient amount. My sections are the title sequence, the history of YouTube and the influence on kids. I will be creating the title sequence and the history of YouTube section in Adobe After Effects and the influence on kids section in Adobe Premiere Pro.
Project Title
Now that my group and I have decided on creating a documentary about YouTube, we need to pick a title. Our title needs to be captivating as it’s the first thing people will hear and see when our documentary is completed.
We decided on the title: YouTube – Beyond the Screen. The reason we have titled it this is because we’re going to be looking into YouTube on a deeper level. Instead of just watching the content provided on the platform, we’re going to look into the statistics, talking with YouTubers, and researching into the background of the company, essentially going beyond what we see.

USP – Unique Selling Point
As we want our project to stand out from everyone else’s we need a unique selling point. The unique selling point to our chosen project is that we are travelling to London to gather evidence and information from the company itself. Our documentary is going to include interviews with people who work there and people who use the platform as a source of income, which I believe no one else is going to be able to do.
Target Audience
Although our documentary will revolve heavily on YouTube and children, our target audience isn’t children. We want our documentary to be serious and informative, which is why our documentary will be aimed at adults. We wanted to target an older audience because they’re the ones who are going to be curious about what their children, grandchildren, nieces/nephews, brothers/sisters etc are watching. I’d say our target audience would be anywhere between the ages of 21 – 50. I’ve chosen this large of an age gap because that’s where adults with younger family members are in age. Having a more mature audience means we will need to be careful to not lose their interest when discussing YouTube. The topic of YouTube can wander over the line of being too puerile, depending on how we go about it. We will need to script our documentary strategically to appeal to the mature demographic.
Pre-Production
In my group I have been assigned the role of creating the pre production paperwork.
Location Permission
As our main location will be the YouTube Space in London, we aren’t required to complete a consent form as any people who have access to the building are allowed to film on the premises. To be granted access to the YouTube space you’re required to have 10,000 YouTube subscribers or more. Luckily for us, Dan has surpassed this amount of subscribers which allows us to sign up to use the YouTube space.

We have acquired a time and date to access the YouTube space and it has all been confirmed.

As you can see above, we will be going to the YouTube space on April 17th 2019 and will arrive at 10:00am when it opens.
In addition to booking the YouTube Space, we have purchased bus tickets for London. We will be leaving at 12:25am from Swansea Quadrant Bus Station and will arrive at London Victoria Coach Station at approximately 5:00am.

Resource / Equipment List
As majority of our filming will take place in London, we need to ensure we have all of the right equipment for this to happen. As you can see below, I have created an equipment list to make sure we have everything we need ready for production.

Location Recce

Scenes Filmed Here
The scenes that will be filmed here are our interviews. We plan on using the YouTube Space Cafe as a place to find the YouTubers and use the location to interview them. Additionally, we will be using the YouTube Space and that area of London to capture b-roll.
Potential Hazards
The only potential health and safety hazards at this particular location would be anyone tripping over loose wires.
Risk Assessment


Script
Initially, we wrote our sections of the script separately and then brought them together in a Word document. I then wrote up the script in the correct format.
Below you can click the link to view the script as a whole.
To distinguish my work from my group, below I have wrote up exactly what I scripted in a word document.
Storyboard
Before I can move on to my production, I need to create a storyboard in order to visualise my documentary. My entire storyboard has been sketched and constructed in Adobe Photoshop.
Below you can see my production storyboard.




Interview Questions – Bird Keeper Toby
The first interview we plan on recording for the documentary will be the one via webcam with YouTuber Bird Keeper Toby. We have come up with a list of questions together specifically designed for Toby and his channel.
- Why did you start making videos on YouTube?
- How difficult is it to earn a living on the platform?
- How many hours do you put into creating videos every week?
- What don’t you like about YouTube? Or something you think could be improved on.
- Why did you decide to make your channel based on Pokémon?
- What’s the hardest part of making videos?
- Do negative comments affect you?
- Would you say YouTube is harder or easier than a regular 9-5 job?
- Would you recommend YouTube as a career path for future generations?
- You’ve been to official Pokemon and YouTube events. How do these opportunities arise?
Interview Questions – YouTube Space
Since we aren’t able to know who will be at the YouTube Space the day we’re attending, we have come up with a range of questions similar to the ones we asked Toby, but with no specific person or channel in mind.
- What kind of videos do you make?
- Why did you start making videos on YouTube?
- What’s the hardest part of making videos?
- Would you recommend YouTube as a career path for future generations?
Call Sheet


Budget
Production Equipment Cost

As you can see there is no cost required in regards to production equipment.
Production Day Items Cost

As you can see, the total cost for our production day is £198.75. This equates to £66.25 each.
Post-Production Equipment Cost

As you can see, our Post-Production equipment requires no cost.
Contributors
The main contributor to this documentary is Toby Hill, also known as Bird Keeper Toby. We will be interviewing Toby over webcam and have planned this with Toby ahead of time.
https://www.youtube.com/channel/UComJjpEGvbavdpH7zpNZRxg

The other contributors will be the YouTubers we interview at the YouTube Space. At this moment in time, we don’t know who these will be.
Production Day Itinerary / Schedule
When we arrive in London, we have five hours to spare until the YouTube Space opens, so during this time we will be getting our oyster cards which is needed to travel across London. We will then start taking B-Roll in different areas of London, as well as photographs. We hope to take B-Roll of popular tourist destinations as this will distinguish our location prominently in the documentary. To ensure no footage is lost, during our coffee and food breaks we will be backing up the files to an external hard drive using my laptop.
We will be going to the YouTube Space at 10:00am. During our time there we will be filming the exterior and interior of the building, we will also interview the staff there. We hope to find YouTubers in the building to ask a few questions, but this can’t be guaranteed as we have no idea who will be there.
Once we have finished up in the YouTube Space we will go to Leicester Square and attempt to interview the public. Again, we will review our footage and back it up when we go for a food break.
Below you can see my itinerary for the day:

Production
During production, we took a camera specifically for photography. Below you can see a contact sheet of these images.
Contact Sheet


Behind the Scenes Footage
The footage below is the behind the scenes we captured on the day we filmed the interviews.
London Production Day Contributors
Before production day we weren’t sure who we would be interviewing in London, we were aware that this was a risk but it was definitely a risk we were willing to take. We managed to interview four YouTubers at the YouTube Space.
The first one being John from MusicCollegeTV.
https://www.youtube.com/user/MusicCollegeTV

The second one being Turkish from AFTV.
https://www.youtube.com/channel/UCBTy8j2cPy6zw68godcE7MQ

The next one being Ty also from AFTV.
https://www.youtube.com/channel/UCBTy8j2cPy6zw68godcE7MQ

The last one being Sammy Paul, who not only runs his own channel, but works behind the scenes on other channels.
https://www.youtube.com/user/ICOEPRproductions

Audio
We will be recording the narration for the documentary using a professional studio mic. This will ensure the audio is clear and sounds professional. Dan has been assigned the task of editing the audio. We started the audio process by booking out the college studio. Unfortunately, we kept having issues with the studio that day and we were left with very little time to record the narration. Due to it being the end of the year and a lot of people needing to use the studio, we weren’t able to book out the studio for another session, at least not in the time frame we needed. To overcome this issue, we decided we would record the narration at Dans house as he has a professional microphone. At this point this was our best option. The next day we went over to record the narration and it sounded really good. As Dan is head of audio, he was responsible for editing the audio. His chosen software to do this was ‘Audacity’. Dan used noise reduction and equalisation features within Audacity so we could get the best sound possible. These features helped reduce any unwanted background noise to ensure our narration was clear.

When we had sequenced all of our parts into Premiere Pro, we used the ‘audio clip mixer’ feature to make sure all the audio throughout the documentary was relatively on the same level. This level was -6 decibels.

Post-Production
Footage Arrangement
Now that production is completed, we need to make sure all of the clips are backed up. In this process we have gone through all of the footage and put the footage into the following categories. We have all saved the entirety of the footage to our individual hard drives. The footage is in enclosed in this ‘YouTube documentary’ folder.

As you can see below, we have arranged the footage into different sub folders. We went through each clip and decided what we did and didn’t like. The bad footage and the bloopers resides in one folder, the good footage in another and the interview clips with Bird Keeper Toby in the last folder.

Inside the ‘Toby Interview’ folder we have two other folders. The two folders titled ‘Camera 1’ and ‘Camera 2’ hold the two different angles of footage we recorded when we interviewed Toby. We needed all of this footage so we can extract the audio from them during the editing process, which is why there’s no bad footage folder for that section.

The good footage folder includes everything we believe to be useful to the documentary. There are a lot of clips in there and we wanted to leave our options open for the edit. This footage includes our interviews at the YouTube Space as well as B-Roll in London.

Title Sequence
After attempting to create the polaroid animation for the title sequence, I decided to change it up. I wanted to create an animation that was more professional looking, but keeping with my original idea.
Since my title sequence required a lot of work, I decided to film myself talking about how I created it from start to finish.
Below you can view this video.
Section Titles Animations
For each of the different sections, to be able to distinguish mine and my groups work from each others, I decided to create title cards which would say what section it was. I made sure these title cards matched the original title from the beginning in the title sequence in order to keep consistency throughout the documentary.
To create these title cards I used Adobe After Effects.
I began by creating a new composition in After Effects. I then imported a screen glitch video into the composition.
This is the free stock footage I used to create the effect.
Once the stock footage was in the timeline, I turned off the visibility and the audio.


I then created two text layers which said one of the section titles. In this case, it was ‘The History of YouTube”

I added an adjustment layer to the top of my timeline.

After I added the adjustment layer, I went into ‘effects and presets’ section and typed in ‘displacement map’. I dragged this effect onto the adjustment layer.

Next, I went over to the effects controls panel for the displacement map effect and made it react to the screen glitch stock footage.

As you can see in the image below, the text has started to glitch.

If I wanted my text to just have a simple glitch, I could leave it exactly like this, but glitch text usually includes RGB colour glitching.
I selected both of my text tools, right clicked and selected ‘pre-compose’ so they became one layer.

To start adding the colour effect I selected my text layer and dragged on the ‘set channels’ effect.

I then duplicated my text layer two times and renamed them all ‘red’ ‘green’ and ‘blue’.

The next thing to do was to select ‘toggle switches and modes’ and change the blending mode on each text layer to ‘screen’.

Selecting the each of the text options, I went back up to ‘effects controls’ and turned off the other two colours. So, for the text named ‘red’ I turned off the blue and green channels. For the text named green I turned off the red and blue channels and for the text named blue I turned off the red and green channels.



I then went to the text named red, brought up the position selection and moved the position to the right.

Doing this gave me the coloured glitch effect I wanted.

As this effect was used on all of the titles, instead of repeating the whole edit again, I duplicated the composition. I then dragged the duplicated composition into a new composition and changed the text to the next section name. I did this for each section and it saved me a lot of time.
History of YouTube Animations
Map Animation
The History of YouTube section begins with an animation of San Mateo California.
In order to do this animation, I went to google maps and took four screenshots of the San Mateo map. The first screenshot zoomed in to an area I liked the look of, the second one being that same area but zoomed out, the third one being a different area zoomed out, and the fourth being that same area zoomed in.




Once I had my screenshots, I created a new composition in Adobe After Effects and imported my screenshots.

Once the composition was created, I imported the first and the second screenshot. I put the first screenshot on the bottom of the timeline and put the second one above it. I then used the scale tool to match the screenshots up. Something that was very helpful was turning down the opacity on the second screenshot to align them both accurately so you couldn’t see the edges.

I then added a camera layer and a null object.

I needed to add the null object and link the two layers to it so I could move them both without disrupting the position I originally aligned them into.
I then used the position tool to move the two screenshots (now the null object) over so I could put in the next two screenshots and align them up properly as well.

I made all of the screenshots 3D and linked the last two screenshots to the null object as well. Making the layers 3D will allow me to animate movements.

Using the camera layer, I was able to zoom out at the beginning of the map. To do this I needed to create keyframes. Pressing P on my keyboard opened up the ‘position’ selection, the stopwatch to the left is how you create your first keyframe.

The first keyframe created is where it started to zoom out. I put this in a few seconds into the timeline and not at the beginning so the viewer gets to see the area before it zooms out. To actually create the zoom, I turned down the numbers located next to the position.
I then added an effect called ‘Easy Ease’ to this keyframe so the animation has a nice flow to it. To do this I clicked on the keyframe and went into the Keyframe Assistant section and selected the easy ease, this then turns the diamond icon into an hourglass.

I then selected the position setting on the null object to create the keyframes of the map moving over to the other part of the map.

I created the keyframes to my liking and added the easy ease effect again.

As you can see below the position of the map has moved over in line with the start of the null object (the red box)

Once I had finished animating the movements, to make the sequence more realistic I added in some clouds and placed them at different parts of the animation.

As this animation is distinguishing where YouTube began, the map itself doesn’t really tell you where it is. Where the animation is finishing, I added in a map marker icon and the city name.

If you notice in the finished product, the map marker pops up from the bottom, in order to do this I needed to to move the anchor point from the centre to the bottom.

I used the anchor point tool to do this.


I then used the scale option on the map marker icon to start key-framing when I wanted the map marker to pop up.

I scaled the marker to not be there originally, and then the first keyframe is where it begins to pop up. The last keyframe is how big I wanted it to stay.

I did the same to the “San Mateo CA” text that I wrote in.
Another small detail in this map marker is the subtle bounce. In order to create this bounce, I went into the expression section of the map marker in the timeline.

I then went to google and found the expression I needed to create this bounce. As you can see below, I copied and pasted the expression from google as it requires a lot of detail and advanced After Effects terminology.


After adding this bounce it made the entire animation look that much better and overall gave it a more professional look.
Date Change Animation
After my map animation in the history of YouTube section there is an animation that shows the date changing in February. I created this animation using After Effects.
To begin with, I created a new composition.
I then used the rectangle tool to create a shape layer.

I made the shape layer white by selecting the fill option.

Once the layer was in the timeline, I went into the ‘layer styles’ section and selected ‘drop shadow’.

Within this selection, I made the drop shadow black, then adjusted the opacity so it was low and then changed the distance and size of the shadow.

The next thing I did was add another shape layer, this layer is going to act as the top of my calendar.

Once I had my calendar shape, I started to add in text.


I then added a solid layer to change the colour of the background to grey. This will make the white part of my calendar stand out more.

Obviously this isn’t an animation yet. I need to get this to go up to 14. I then duplicated my composition 13 times and selected each of them.

I then went into each of these compositions and changed the numbers to the next number needed.
After the numbers were changed I added them all to one timeline.

Once in the timeline, I adjusted the lengths of each and made sure none of them overlapped to get a seamless edit.

I wanted the 14th February date to stand out as that’s the one that’s important. On that number in the timeline, I used the scale selection to key-frame it zooming in to the calendar.


The Influence on Kids Animations
YouTube Page Animation
In this section, I created an animation by constructing an image that resembled the YouTube page when a video is playing. I used Adobe Photoshop to begin with and took the edited image into Adobe After Effects to animate.
I used this edit 8 times in the documentary for visuals for different videos. I created the general idea and animation of one in After Effects and then duplicated the composition to add in the different videos and titles each time, this sped up the process of creating 8 similar animations massively.
This was the page I created in Adobe Photoshop.

As you can see, this page resembles the actual YouTube page when a video is playing.
The next step was to create a new project in After Effects. I began by creating a new composition and I imported the YouTube page edit into it.
I then imported the video I needed into the timeline and placed it above the YouTube page edit. I scaled this image down to fit in the box.

The next thing I did was added all of the text to make this appear more realistic. I used my research on these videos to wrote in the usernames and video names on this edit.

If you notice on the right hand side, there’s a section that says “up next” this is a feature on YouTube where they show you similar videos to the one you’re watching on the right hand side. I decided to showcase the videos of other popular videos in this section. To do this I went to the videos and took a screenshot of a recognisable part of the video.

Right now there’s no animation taking place, so my next step is to animate parts of this. I then selected all of the layers, right clicked and selected “pre-compose”, doing this linked all of the layers together as if they were one.

All of the layers then joined as one and cleaned up the timeline area in the process.

The next thing to do was to add in a null object. The null object is essentially an invisible layer that I can pair with my pre-composition in order to create movement.

I attached my pre-composed layer to the null object and began adding my desired keyframes.

This particular animation only had one simple movement, so I only used the scale keyframe.

I added the easy ease effect to these keyframes to make the animation smoother.
This technique was done to only three animations. This was David After Dentist, Evolution of Dance and Charlie Bit My Finger. The other animations using this YouTube page effect, I took a little further.
Everything was the same up until the key-framing part. Instead, I made the pre-composed layer and the null object 3D. This allowed me to rotate the animation and give it an overall better and different look. Unless the layer is 3D, then you won’t be able to use the rotation options when key-framing.

I used these options for the other animations I created and played around with the keyframes on each one.
YouTubers Interviews Animation
In this section of the documentary there is an animation showing a map going from Swansea to London. I created this animation in Adobe After Effects.
To start this animation I went to Google Maps. I took a screenshot of Wales and England with Swansea and London in the view.

I then found a picture of a map pin on Google.
I began by creating a new project in After Effects and then creating a new composition.

I then imported the map screenshot and the map pin.

Once both were imported I scaled up the map and scaled down the map pin. Next I used the pin anchor tool, like I did for another animation to move the anchor point from the centre of the map pin to the bottom of it. This will make the map pin scale from the bottom rather than from the centre.

I then began key-framing the scale of the map pin. I put the map pin scale to zero at the beginning, moved over about a second and scaled it up to my desired size.

Again, like I did before, I wanted to create a bounce on the map pin. To do this, I went to google and copied the expression of a bounce from Graymachine.com.

I pasted the expression into the map pin layer and it gave me the bounce on the map pin.

Once I had done the animation to the map pin, I duplicated the layer so I could put the same map pin on the London part of the map.

I then used the pen tool to create a line going from one map pin to the other.


To then change the line from one solid line to a dashed line, I went into the layer and selected ‘contents’, ‘path 1’ and then ‘stroke 1’.

Within this stroke 1 panel, I was able to change the stroke from ‘butt cap’ to ’round cap’.

After that, I scrolled some more to the ‘dashes’ section and changed the gap between each dash in the line.

Doing this resulted in me getting the effect I needed.

The next step was to actually animate the dashes going from Swansea to London, what I did was select the ‘add’ option underneath the stroke layer and then selected ‘trim paths’.

Dropping down into the trim path section allowed me to begin the animation. I selected the ‘start’ stopwatch and started to key-frame where I wanted the stroke lines to begin and end.

I then moved the second map pin layer over so the map pin would pop up when the dashes reached it.

To get movement on the map I created a null object.

I then selected all of the layers and linked them to the null object.

Once the layers were paired with the null object, I began to key-frame the position of the map, creating the movement.

Now that the movement is on the map, the animation is complete and ready to be used in the documentary.
Main Edit
My two main edits are The History of YouTube section and The Influence on Kids section. I edited this section using Adobe Premiere Pro.
The History of YouTube
This section involves a few of the animations I created. I used these animations straight away in this section as they’re interesting to watch and immediately captures your attention. Towards the end of this section, we introduce the project and what you can expect to see throughout the documentary. I included clips from the YouTube Space in London and clips of the interviews as a teaser, this is something I thought worked well and made people want to continue watching.

The Influence on Kids
Within this section I have discussed three different YouTubers. The first two being Jake Paul and Logan Paul and the last being Morgz. I have used bright imagery throughout this section as bright colours are typically used by these types of YouTubers to attract a younger audience. Using Jake and Logan Paul was because they both are very popular amongst young children and have been involved in the most controversies on YouTube. I used Morgz for this same reason, however, he is a British YouTuber which makes him close to home for the people watching the documentary.

Thumbnail
The last stage of this edit for me is to create my individual thumbnail. I used Adobe Photoshop to create this thumbnail.
To begin with, I set my aspect ratio to 1280 x 720 as this is the typical thumbnail size.

I then began by importing the YouTube play button logo. This logo is a staple logo for YouTube and is even given out in diamond form to YouTubers who surpass 10 million subscribers.

Once imported I began to google YouTube thumbnails. I individually googled each YouTubers name to find my desired thumbnails. This process was long as I needed a lot of thumbnails for my image. I made sure there was only one thumbnail per YouTube as I wanted there to be diversity when you looked at each one.
After copying the thumbnails I started to paste each one onto the play button and then aligned them all.
I adjusted the size of the thumbnails by using the free transform tool.

I had to duplicate my play button and then erase the outside red of the duplicated layer so the white play logo could go over my thumbnails
As the play button is curved the thumbnails near the edge had to be erased as a curve so they would fit.

This was the finished product after I finished erasing the edges.

I decided I wanted to make the whole image have a red tint to mimic the original play button, so I made my background layer transparent and imported the edited play button into a new project.
I made the background transparent by double clicking the layer and turning the opacity down to zero.

When my image was imported, I adjusted the colour levels. I did this by going into ‘image’ on the top bar, then to adjustments and then I selected ‘color balance’

This selection brought up another bar which was where I adjusted the colours of my play button.

This is what the image then looked like.

To finish off, I added a background image.

To keep the focus on the play button I added a Gaussian blur to the background image.

After I added my background image, I made some small adjustments to enhance my play button, such as a drop shadow and an inner glow.

I was able to add more red to the thumbnail by using the ‘colorize’ selection in the hue/saturation tool bar.

I then created an original background for my thumbnail using a solid black layer and the text tool.

After looking at this thumbnail, I realised it wasn’t what I had envisioned. So, I created another new background.
I imported this new background into photoshop and turned the brightness down. I then imported images of YouTubers inside the sections.


I turned down the opacity on each of the YouTubers I imported so they would blend in to the background.

To make sure I knew what everything was I renamed each visible layer.

Below is my finished thumbnail.

After completing my finalised thumbnail I’m very happy with the results. The thumbnail making process was long due to my indecisiveness, but the changes were necessary as I now have a thumbnail I believe looks good. I decided to not add bright colours to the thumbnail as they’re usually added when the target audience is children. Bright and colourful thumbnails grabs the attention of children which makes them click on the video. My documentary is aimed at adults, so I think the dark simplistic colours is perfect for my demographic. Overall, my edited thumbnail turned out really well. The image is pleasing to the eye and lays directly on the leading lines. Creating this thumbnail allowed me to get even more comfortable with the different tools on Photoshop and helped me test my creativity.
Final Product
I have uploaded the final product of the documentary to my YouTube channel, complete with my custom thumbnail.










































































































































